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Mokless Girgis has enjoyed a productive career worldwide, as a recording artist. Using his talents to register songs written from the inspiration of his global travels, Mokless is one of the almost famous singers in the Arab reality today.
Mokless has been called to take his talents globally. His talents include playing the piano, keyboards, and the lute. Writing, recording, and performing around the reality, he is frequently referred to as the Golden Voice and the Voice of the Nile Valley.
Mokless Girgis
8350 Wilshire Blvd Ste 200
Beverly Hills, California, 90211
mokless@moklessgirgis.com
http://arabicaudiomagazine.info
Author: Ronald W. Firquain
Playing guitar is an incredibly fun and rewarding hobby that never gets old. Playing guitar is fun and rewarding, but it is important to pay attention to your wrists and hands to avoid carpal tunnel syndrome, tendonitis and other painful conditions. Playing guitar is a physical and mental skill as well as a creative one, and your body will take time to learn to create the sounds you can hear in your head. Playing guitar is as much about moving to a new position as holding down a chord. Playing guitar is artwork, you need to practice and perfect the craft.
Playing guitar is never boring, you can always learn something new. Playing guitar is actually really easy, which is why it is one of the most popular instruments on the planet. Learn to play guitar the easy way, if you have always wanted to learn to play the guitar, or have tried and not been able to get any results you might think playing guitar is too difficult for you. The true beauty of playing guitar is that every facet of the instrument from the style of guitar, the features of the guitar and ultimately, the music you choose to play on the guitar, is all about individual preference.
What comes to mind when playing guitar is a feeling of pure joy. However, there are a lot of things I do right handed, and playing guitar is one of them. And is not that really what playing guitar is all about. The main thing is, it has to be FUN, because that is what playing guitar is all about. Imagine that you, or someone you know, who does not know a thing about playing guitar is banished to a deserted island in order to study guitar sols. Since playing guitar is quite a sensual experience, the more sensitivity the player has the better.
I find that playing guitar is more based on intervals and scale degrees and playing piano is more based on the actual notes in the scale. I am always amazed to hear of people practicing in front of the television, as if playing guitar is just some rote mechanical exercise. But I am sure you also agree that playing guitar is much more complicated than riding a bike. As you can see not playing guitar is not the end to your musical career, playing instruments other than a guitar is the way to go to ensure that you are going to be able to get into a band.
You do not win at guitar because playing guitar is an art of many styles, but you can win against yourself by working on your weak points or struggles. The cornerstone to faking like you are super awesome at playing guitar is called the pentatonic scale. Also realize that most great players know that playing guitar is a lifetime project and the better they get, the more they want to get better.
Author: Victor Epand
According to an oft-quoted phrase we are all adolescent intellectuals without history. So it makes sense to explore the noble history of classical guitar, which has travelled a long way only to carve a niche for itself in the world of music globally.
This history would be incomplete without naming the legendary guitarist Luther Antonio de Torres (1817-1892) who made significant changes in the construction of the newly framed modern version these guitars. He is also considered as the founder of the modern classical guitar school.
This unique history can be traced back to the Near East. The archaeologists found its representation in myriad forms in the excavations of Babylonia. Also referred to as a Spanish guitar, classical guitar heralds from the family of instruments called chordophones. They have been a part of the ancient musical tradition for over 100 years.
Spanning over four centuries history classical guitar has been a subject of great debate and controversy. Many earlier instruments also contributed a great deal in shaping its history. Many great players and composers also contributed to an amazing extent in shaping up this amazing journey of this popular instrument.
The popularity of the guitar was on the downslide with the emergence of the piano in the middle of the 19th century. Francisco Tarrega (1852-1909) initiated a whole new style of playing which added a new definition to the entire history of the classical guitar.
Some of the earlier instruments, which shaped the history are as follows
Renaissance guitar
Baroque guitar
The size and shape has been the same over 100 years.The modern version of the ancient guitars has evolved over the following few sources
The Lute
The Vihuela
The Renaissance five-string guitar.
Some of the legendary names associated with the field of guitar are as follows
Gaspar Sanz
Fernando Sor
Mauro Giuliani
John Williams
Julian Bream
The most accepted convention these days is to use the fingertips to play on the guitar. However, in the bygone era it was the prevelant custom to use flesh over nail to play the guitar.
Some of the renowned players who preferred using fingertips over nail include-
Fernando Sor
Francisco Tarrega
Since, there is more space between the strings on a typical classical guitar it is easier to handle it for amateurs. Some of the cardinal features of this popular instrument are as follows-
It uses nylon strings.
It generally makes use of a rich colour palette.
Author: Bill McRea
Playing a guitar without vibrato is like eating Mexican food without salsa. Vibrato is one of the most definitive techniques in defining your musical style, your own personal unique sound. No two players have the same vibrato sound. Some play slow and wide while others play narrow and fast, and that’s the beauty behind spending a lot of time learning different vibrato techniques. It’s like eating different salsa’s every time you go to your favorite taco stand. Enough talk about food, lets talk technique.
Vibrato is sometimes confused with tremolo. Basically it is just a technique of vibrating the string sharp and flat around a root note. For example if you are playing the 7th fret on the 3rd string with your 3rd finger on your fret hand you can just push the note up slightly and them pull it down slightly. Do this in quick succession so the over riding effect is a “wobbly” tone around the root note you are playing. Use your hand, wrist, and arm to make the movements. Never just wiggle a finger. Some people use a technique of pulling the string down towards the floor and then releasing back up.
Try this in a variety of speeds and levels of bending during your vibrato. The trick is to be consistent and smooth with your motion. If you are playing a slow blues riff then you may want to slow down and make a wide circular motion with the string, or if you are playing a fast rock lick you may just ad a fast narrow vibrato to accent the final note in a run.
It is possible to add vibrato using any finger you play with, but it is most commonly done with the first and third finger on the fret hand. Using your first finger is a bit trickier. I usually use my first finger for fast vibratos similar to BB Kings style. I will literally lift my other finger far off the fret board, press down and just “vibrate” the string as fast and as open as possible. That’s funny the work vibrato is a lot like vibrate, because that’s actually what you are doing vibrating the string.
When you combine vibrato with string bending, harmonics and legato techniques you begin to discover the musician inside of you. Playing guitar is about discovering your inner flow of creativity and having the techniques to be able to express them.
Author: David Taylor
If desire is the most important part of learning guitar(without it you wouldn’t have even started), then concentration is the most important part of practicing guitar.
I often say to people that 20 minutes of focused practice can beat, hands down, 2 hours of ‘normal’ practice, or just goofing about.
Many people are discouraged when they are told how much time they must put into practice. The truth is, you don’t have to practice all the time to be a good guitarist.
(I’m not saying you shouldn’t have time to goof off and play around. But if you want to improve quickly, you must keep playing guitar and practicing guitar separate.)
Let me tell you now…
It isn’t how much time you put into practice, it’s the quality of the practice that matters.
When I play guitar, I play to have fun, I play to perform for people, and I play for the fun of playing! That’s why I started learning guitar in the first place.
But when I practice guitar, I focus and concentrate on what I’m trying to achieve, and I work on the goals that I want to complete.
You see, if you completely focus on one thing you are more likely to do it well.
This may sound simple too to some. Some of you may be thinking “this is great, I only need to practice 20 minutes a day and ill improve more than I would if I practicing 2 hours a day”.
Well that’s not exactly true.
Its how focused your practice is that counts, not how long you practice. Can you really focus for 2 hours?
Let me give you this small example to illustrate my point.
Picture a red triangle inside a black box.
Close your eyes, and keep that image in your mind for 5 seconds without letting a single thing distract you – no other thought must enter your mind for that 5 seconds…
How well did you do? Be honest with yourself.
This isn’t an easy thing to do. Most people find this difficult at first. Its difficult to keep a focused mind like this.
I hope this example has shown you that it’s not that easy to keep focused attention & concentration for look periods of time.
But still, you must always remember that its quality and not quantity of practice that makes the difference between a great player and an average player.
This is a perfect time to tell you that you shouldn’t be spending hours and hours ‘practicing’, because you simply can’t focus for that amount of time.
If you are practicing for a solid 2 hours or more you are probably not helping your development as a guitarist that much.
A much better way of using this time is to practice in bursts.
A good idea would be to practice in bursts of 20 minutes or so. You can vary it depending on what you feel like doing, but try not to practice for long periods of time in one go. It’s not helping as much as you think it might be.
Also, it’s important to take breaks from what you’re practicing. You can do something else for awhile, go for a walk, watch TV, or maybe just play around and have fun with your guitar and loosen up a bit before you start focusing on practice again.
It is important for you to have a definition in your own mind of ‘practicing guitar’ and ‘playing guitar’.
This will keep you more focused and allow you to reach your goals as a guitarist much easier.
An exercise for you to try to help you further develop concentration is to sit silently and count slowly from one to ten in your mind.
If anything should interrupt your counting, whether it is a noise, a stray thought, or the awareness of your own breathing, you must start over from one.
Author: Edward Weiss
So you want to be more creative when playing piano. Many students wish they could just sit down and improvise their own music but don’t know how to begin.
They think if they can’t play a fugue like Bach, they are untalented. Or, they think the music that comes out of them must be sophisticated or it’s not worth anything. Fortunately, there is a style of piano playing that bypasses this academic snobbism and allows the beginning (and advanced) student to be more creative.
The New Age piano style is geared towards improvisation and creativity specifically because it requires very little in the way of technical know-how. What it does require is the courage to just sit in front of the piano and allow for the creative act; allow being the important verb here.
Many students wonder why they have problems improvising. When I explain to them that the problem is not with technique but attitude, they look at me surprised. After all, aren’t they willing to learn? Of course! But they must first shun the “creative genius” persona and be willing to let go and let the music tell them where it wants to go.
Author: Ty Walker
Introduction
Piano lessons are for both the beginning piano student and the student who wants to review their skills. The piano and piano lessons are fun easy and a great way to enjoy making your own music. Piano lessons are the foundation of learning music, especially for very young children. Forget all of what you have heard or remember about piano lessons. Piano lessons don’t need to be hard or take a long time. Piano lessons can help you realize your true potential.
Music
Music is a wonderful way to express yourself. Music should be fun, playful and enjoyable. Music consists of repeating patterns of single notes and hand formations, which are combined in different ways to produce different sounds. Music truly is a universal language and one of the most powerful forces on the planet. Music also contributes to the development of self-confidence, creativity, imagination, long and short-term memory, social skills, coordination, and self-discipline.
Learning
Learning the piano is an excellent way to start playing music for all ages, from toddlers through adults. Learning to play the piano or electric keyboard can be a natural and enjoyable experience. Learning to play the piano involves use of a variety of segments of the brain including areas housing spatial reasoning skills, emotion, creativity, and motor skills. Learning to play the piano doesn’t mean you have to be born with talent nor do you have to be as young as your niece or grandchild. Learning to play the piano is great for all ages.
Online
Online Music Lessons are an ideal way to fit music into your schedule. Online piano lessons are a simple way to dig in again and are cheap and easy to follow. For those that do not have a teacher at all, look for online piano and keyboard lessons that begin from step one. You can actually find some free online piano lessons, you should look into this first. These lessons take people on a journey from beginner to advanced in their piano playing skill by fast-tracking their piano playing, while covering every aspect involved in learning to play piano.
Practice
Most people know that if you take any sort of music lessons, you must practice. To attain a new skill such as playing the piano, it is important that you make time for daily practice. Practice for at least half an hour everyday or about 4 to 5 days a week is one way to teach yourself to play piano easily. In these beginning stages of learning how to play the piano, it is very important that you do not skip days of practice. Establishing a routine is best because it builds the practice habit.
Author: Tim Lee
Playing guitar as a hobby or professionally can be very fulfilling. It is a great outlet for one’s creativity and passion, and is the perfect expression of one’s self. Whether you are a beginner guitar player or not, you could use the following tips and instructions to improve your guitar playing.
1) Good posture is Truly Underrated
While you can play guitar in almost any position, good position is integral to getting the most out of your guitar. Without good posture you could put yourself in greater risk for straining muscles – not to mention that wrong posture is truly awkward and uncomfortable to the player. You could even acquire or exacerbate back pain playing in the wrong position.
In a sitting position, sit up straight and cradle the guitar with your legs. Armless chairs are better for this sort of playing. If you are a classical player you might want to purchase a foot rest to elevate your left leg (if you are right-handed).
While standing, make sure you have good footing, with feet properly spaced. Keep the guitar high on your chest. If you have a guitar strap then you could avoid getting fatigued while playing your guitar.
2) Hold Your Pick the Right Way
If you are a pick player, one common mistake you can avoid is to hold your pick the right way. The proper way to hold a pick is to grip is firmly but not too tightly.
If you hold your pick to firmly, you could get your arm tired real easily. If you hold it too loose you could easily lose your pick during a very vigorous strumming session. The best place to hold your pick is somewhere in its middle.
Choosing the right pick is also another important choice you will have to make. If you are a beginner, you may want to use soft picks for strumming. They are also easier on the arms and do not need to be gripped too tightly. However, most flabby picks do not perform well when used to pluck individual strings, bass strings, or when flat picking.
3) Practice your arpeggios
After giving strumming a thorough work out, try working on arpeggios as they could seriously improve you playing style and will open you up to new guitar skills. Some players start with arpeggios before jumping into serious lead playing or complicated playing.
It also gives your playing much more variety than would be available if you stuck to simpler chord playing. And as mentioned, arpeggios are the gateway to higher level playing skills.
4) D Chord Secrets Revealed
The D-sus chord is a beautiful flourish when used to lead back to the D-chord. It is easily done by adding your pinkie finger to the chord at the third fret. Practice how this chord is used and you will find that it easily integrates into most contemporary songs.
You could also use this with other chords. You may refer to most chord charts to find out how these chords are done.
Author: Tony Williams
1. Change the strings regularly - there is perhaps no more important aspect of playing a musical instrument than that of maintaining it properly. Guitar strings wear out with regular use and even more quickly become coated in grease and dead skin. So it is imperative that you wipe the strings after playing and also change the strings as often as needed. But how often do strings need changing? Well, if you only play your guitar a couple of times a month then you will probably get away with a couple of sets of strings per year. But if you play in a band a couple of times a week or more then you should renew the strings at least once a week. And forget the old wives tale about boiling strings, that is for fools and practical jokers; fit new strings every time.
2. Play what is required, not what you like – Just because you have mastered that tricky right hand tapping technique does not mean that you should try to use it at every opportunity. Instead, concentrate on what feels and sounds right for the piece you are working on. It might not be as self satisfying to play five notes where you could have squeezed in fifty, but it can often be far more effective - and remember that you will always get the chance to impress your mates on another song.
3. Practice effectively – Do you have a regular practice schedule? If not, then you should develop one! Your guitar practice should include different techniques, slow playing, fast playing, rhythmic playing, etc. Don’t just play what you enjoy playing during solo practice sessions, but instead remember to devote some time to the stuff you find difficult.
4. Play with the band, not over them – Never turn your amp up to eleven and expect the rest of the band to join you. Not only is it a recipe for tinnitus and premature deafness, but it will quickly get you replaced by a more considerate guitarist. An effective guitar player will be listening to the whole band, not just him/herself, and if the guitar sounds too loud the effective guitar player will turn the volume down to a level that matches the rest of the band! if you think you might be guilty of this then try listening objectively to the whole band next time you play and ask yourself if it sounds well balanced.
5. Be original - Don’t just copy your guitar heroes. Of course it is natural and essential to actively learn the chops of your favourite players, but don’t just copy them verbatim; instead you should try to mix and match the techniques you have learned to develop your own original licks.
6 .Keep an open mind and ear – Just because your favourite player uses a Marshall stack or a Mesa Boogie combo, and plays a Fender Stratocaster or a Gibson Les Paul doesn’t mean that you have to do the same. All of the best player’s sounds are unique and exclusive, and it goes far beyond the equipment used.
Author: John Ferreira
No matter what level of playing you’re at now or which musical instruments you may know how to play, learn piano blues and you’ll be much better off for it. As someone who spends a lot of time playing the saxophone and writing music I have found learning to play the piano invaluable for musical ideas, arranging for other instruments and just plain fun and relaxation. Not to mention being able to accompany other performers when the opportunity comes up.
Learn piano blues and you have also learned many other of your favorite rock and roll songs as well since that style developed out of blues music and so the two styles are harmonically very close.
Another great thing about being able to play some kind of blues piano is that you can learn a couple fairly easy patterns on each hand and as you become more comfortable with them before you know it you can quickly develop them into patterns that are slightly more technical and before you know it you’re playing some very decent boogie woogie too.
The boogie style came directly out of the blues and is one of the best ways for a pianist to show what they can do. This style of blues with a bit of speed is very impressive.
I learned by standing behind and beside some of my piano player friends and just watched what they did with their hands. Watching from above you can really see what’s going on with both hands and how these repetitive riffs are being executed.
It’s amazing how easy it can be when you break it down and take it slow. Then, like anything else, with a little daily practise comes the speed and dexterity. Sure, kids usually pick it up quicker than adults but anyone who has the desire to learn can do it regardless of age.
So, learning to play blues music on the piano is not only very basic technically but is also a great spring board for other styles like gospel and jazz. Even if you only learn to play the blues think of the fun you’ll have next time there’s a jam session opportunity… you know what they say; Blues is the international language of music.